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Tuscany
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is a region of
Central Italy,
bordering
Emilia-Romagna
to the north,
Liguria
to the north-west,
Tyrrhenian Sea
to the west,
Umbria
and Marche
to the east,
Lazio
to the south-east.
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and divided into ten provinces:
Arezzo
Florence (Firenze)
Grosseto
Livorno
Lucca
Massa-Carrara
Pisa
Pistoia
Prato
Siena
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The territory is two thirds hilly and one fourth mountainous. The remainder is constituted of the plains that form the valley of the Arno River.
Apennine and Villanovan
cultures.
The pre-Etruscan history of the area in the
late Bronze and Iron ages parallels that of the early
Greeks. The Tuscan area was inhabited by peoples of the so-called Apennine culture in the late second millennium BC (roughly 1350–1150 BC) who had trading relationships with the
Minoan and Mycenaean civilisations in the Aegean Sea.
Following this the Villanovan culture (1100–700 BC) came about which saw Tuscany, and the rest of Etruria, taken over by chiefdoms (as was also the case at this time in France and the Aegean after the collapse of Mycenae and
Troy). City-states developed in the late Villanovan (again paralleling Greece and the Aegean) before "Orientalization" occurred and the Etruscan civilisation rose.
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| The Chimera of Arezzo,
Etruscan bronze, 400 BC. |
Etruscans civilization
The Etruscans were the first major civilization in this region of Italy; large enough to lay down a transport infrastructure, implement agriculture and mining, and produce vivid
art. The people who formed the civilisation lived in the area (called
Etruria) well into prehistory. The civilisation grew to fill the area between the rivers Arno and Tiber from the
8th century BC, reaching their peak during the
7th and 6th centuries BC, and finally ceded all power and territory to the Romans by the
1st century
BC. Throughout their existence, they lost territory to the surrounding civilisations of
Magna Graecia, Carthage and
Gaul. Despite being described as distinct in its manners and customs by contemporary
Greeks, the cultures of Greece, and later Rome, influenced the civilisation to a great extent.
One of the reasons for its eventual demise was this increasing lack of cultural distinction, including the adoption of the Etruscan upper class by the
Romans.
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• From the tomb of the
Lionesses, (A) Tarquinia.
• The
magnificent gold fibula (B) was taken from the Regolini -
Galassi
Tomb, Cerveteri (Caere) and dates back to the
7th Century
BCE.
One of the finest examples of Etruscan
goldsmith's art. This illustration does not do justice in revealing the fine work that went into such a piece.
The precise technique of granulation was for a long time a forgotten art, and it was only rediscovered in the
20th Century by E
Treskow. (A fibula is a kind of large ornamental safety pin used to fasten a robe)
• From the tomb of the
Triclinium, (C) Tarquinia. (A)
& (C) both illustrate the ubiquitous Etruscan joi de
vivre. |
Roman
Soon after absorbing Etruria, Rome established the cities of
Lucca, Pisa, Siena, and Florence, endowed the area with new technologies and
development, and ensured peace. These developments included extensions of existing
roads, introduction of aqueducts and sewers, and the construction of many
buildings, both public and
private. The Roman civilization in the West finally collapsed in the fifth century AD and the region was left by the
Goths, and others.
In the sixth century, the Longobards arrived and designated Lucca the capital of their
Duchy of Tuscia.
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Romulus
Augustus, Last Western Roman Emperor |
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The medieval period
With pilgrims travelling along the Via Francigena between Rome and France came wealth and development during the mediæval
period. The food and shelter needed by these travellers fuelled the growth of new communities around churches and
taverns. The conflict between the Guelphs and
Ghibellines, factions supporting, respectively, the
Papacy and the Holy Roman Empire in central and northern Italy during the
12th and 13th centuries, split the Tuscan people. These two factors gave rise to several powerful and rich communes in Tuscany: Arezzo, Florence, Lucca, Pisa, and Siena.
The balance between these communes were ensured by the assets they
held; Pisa - a port; Siena -
banking; and Lucca - banking and
silk. By the renaissance, however, Florence succeeded in becoming the cultural capital of Tuscany and ensured a bright, and peaceful, future for the
region. |
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Siena's medieval architecture
on panforte
packaging |
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The Renaissance
Tuscany is considered the birthplace of the Renaissance
movement, and its artistic heritage includes architecture, painting and sculpture, collected in dozens of museums in towns and cities across the region.
Perhaps the best-known are the Uffizi, the Accademia
and the Bargello in Florence.
Tuscany was the birthplace of Dante Alighieri ("the father of the Italian language"),
Leonardo da Vinci, Michelangelo and Botticelli.
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| Botticelli |
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Donatelli |
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Da
Vinci |
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| Caravaggio |
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Brunelleschi |
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Da
Vinci |
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Letter-head |
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Michelangelo |
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Pre-Renaissance Italian Artists
Cimabue, Duccio, Giotto, Ambrogio (and Pietro)
Lorenzetti, Simone Martini
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Giovanni Cimabue
- Artist
1240 - 1302 (62yrs old)
Duccio di Buoninsegna - Artist
1260 - 1319 (59)
Dante Alighieri - Poet
1265 - 1321 (56)
Giotto del Bondone - Artist
1266 - 1337 (71)
Ambrogio Lorenzetti - Artist
1278 - 1348 (70)
Simone Martini - Artist
1284 - 1344 (60) |
Francesco Petrarch
- Poet
1304 - 1374 (70)
Giovanni Boccacio - Writer
1313 - 1375 (62)
Taddeo Gaddi - Artist
Active 1325 - 1366
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1348 - The Black Death hits Florence
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Geoffrey Chaucer
- English Writer
1340 - 1400 (60) |
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The First Generation of Italian Renaissance Artists
Brunelleschi, Ghiberti, Masolino, Fra Angelico, Donatello, Michelozzo, Uccello, Masaccio, della Robbia, Alberti, Fra Filippo Lippi, Piero della Francesca, Gozzoli, Andrea del
Castagno
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Filippo Brunelleschi
Architect
1377 - 1446 (69)
Lorenzo Ghiberti
Sculptor
1378 - 1455 (77)
Masolino da Panicale
Artist
1383 - 1440 (57)
Beato (Fra) Angelico
Artist
1395 - 1455 (60)
Donatello de' Bardi
Artist
1396 - 1466 (70)
Michelozzo di Bartolomeo
Architect
1396 - 1472 (76)
Paolo Uccello
Artist
1397 - 1475 (78)
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Tommaso Masaccio
Artist
1400 - 1428 (28)
Luca Della Robbia
Ceramicist
1400 - 1482 (82)
Leon Battista Alberti
Polymath
1404 - 1472 (68)
Fra Filippo Lippi
Artist
1406 - 1469 (63)
Piero della Francesca
Artist
1416 - 1492 (76)
Benozzo Gozzoli
Artist
c1421 - 1497 (76)
Andrea del Castagno
Artist
1421 - 1457 (36)
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The Second Generation of Italian Renaissance Artists
Giovanni & Gentile Bellini, Mantegna, Verrocchio, Botticelli, Domenico Ghirlandaio, Hieronymus Bosch, Signorelli, Carpaccio, Perugino, Leonardo da Vinci, Pinturicchio, Filippino
Lippi
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Gentile
Bellini - Artist
1429 - 1507 (78)
Giovanni
Bellini - Artist
1430 - 1516 (86)
Andrea Mantegna - Artist
1431 - 1506 (75)
Andrea del Verrocchio
Artist
/ Sculptor
1435
- 1485 (50)
Sandro Botticelli - Artist
1444 - 1510 (66)
Donato Bramante -
Architect
1444 - 1514 (70)
Domenico Ghirlandaio -
Artist
1449 - 1494 (45)
Lorenzo de' Medici * Medici
1449 - 1492 (43)
Hieronymus Bosch
Dutch Artist 1450 - 1516 (66)
Luca Signorelli
- Artist
1450 - 1532 (82) |
Vittore Carpaccio - Artist
1450/60 - 1525 (70)
Perugino (Pietro Vannucci)
Artist 1450 - 1523 (73)
Leonardo da Vinci - Polymath
1452 - 1519 (67)
Bernardo il Pinturicchio -
Artist
c1452 - 1513 (61)
Angelo Ambrogini Poliziano
- Poet
1454 - 1494 (40)
Filippino Lippi - Artist
1457 - 1504 (47)
Niccolo Machiavelli - Writer
1469 - 1527 (58)
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*Lorenzo
de' Medici
("Il Magnifico") was not of course an artist or writer (or not in the same league as the others in this list anyway) but he supported so many of them that he deserves a place
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Old
Age
Contrary to what you will read in many books, the famous and remembered artists of the Renaissance did not generally die young. The opposite is true - both the Average and Median age of the top names in this list is 63, so this group of (male) artists certainly defied the statistics of their time in longevity - or maybe you had to live a long time to be
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The Third Generation and Later Artists
Albrecht Durer, Fra Bartolomeo, Michelangelo, Giorgione, Sodoma, Franciabigio, Raphael, Antonio da Sangallo, del Piombo, Titian, del Sarto, Pontormo, Cellini, Bronzino, Palladio, Vasari, Tintoretto, Veronese, dell'Altissimo, el Greco, Caravaggio, Rubens,
Bernini, Borromini, Valasquez.
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Albrecht Durer
- German Artist
1471 - 1528 (57)
Fra Bartolomeo - Artist (San Marco)
1473 - 1517 (43)
Michelangelo Buonarroti
Artist / Sculptor 1475 - 1564 (89)
Giorgione (Giorgio di Castelfranco)
Artist 1475 - 1510 (35)
Il Sodoma
(Giovanni Antonio
Bazzi) Artist
1477 - 1549 (72)
Franciabigio
(Francesco di Cristoforo Bigi)
- Artist
1482 - 1526 (44)
Raphael (Raphael Sanzio)
Artist 1483 - 1520 (37)
Antonio da Sangallo - Architect
1483 - 1546 (63)
Sebastiano del Piombo - Artist
1485 - 1547 (62)
Titian (Tiziano Vecello) -
Artist
1485 - 1576 (91)
Andrea del Sarto - Artist
1486 - 1530 (44)
Pontormo (Jacopo Carucci)
- Artist
1494 - 1557 (63)
Benventuto Cellini - Goldsmith
1500 - 1571 (71)
Agnolo Bronzino - Artist
1503 - 1772 (69)
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Palladio
- Architect
1508 - 1580 (72)
Giorgio Vasari - Architect, writer
1512 - 1574 (62)
Tintoretto (Jacopo Robusti)
- Artist
1518 - 1594 (76)
Andrea Gabrieli - Composer
1520 - 1586 (66)
Miguel de Cervantes
- Spanish Author
1547 - 1616 (69)
Tomas Luis de Victoria - Spanish Composer
1548 - 1611 (63)
Annibale Carracci - Artist
1560 - 1609 (49)
Lope de Vega - Spanish Playwright
1562 - 1635 (73)
William Shakespeare - Playwright
1564 - 1616 (52)
Michelangelo Merisi da Caravaggio
- Artist
1573 - 1610 (37)
P P Rubens - Dutch Artist
1577 - 1640 (63)
Gian Lorenzo Bernini - Sculptor / Architect 1598 - 1680 (82)
Francesco Borromini - Architect
1599 - 1667 (68)
Diego Valasquez - Spanish Artist
1599 - 1660 (61)
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Modern Era
In the 1400s, the rulers of Florence, the Medicis, annexed surrounding lands to create modern-day Tuscany.
The War of Polish Succession in the 1730s, however, ended in the transfer of Tuscany from the
Medicis to Francis,
the Hapsburg Duke of Lorraine,(below) who would become
Holy Roman Emperor. With the dissolution of the Holy Roman Empire by Napoleon, Tuscany was inherited by the successor to the Holy Roman Empire, namely, the
Austrian Empire. With the
Italian Wars of Independence in the 1850s, Tuscany was transferred from Austria to the newly unified nation of Italy.
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Habsburg
or Hapsburg, the name of the famous family from which have sprung dukes (1282-1453) and archdukes (1453-1804) of Austria, kings of Hungary and Bohemia from 1526, and emperors of Austria (1804-1918).
They were also Holy Roman Emperors for several centuries to 1806, German kings (1438-1806), and kings of Spain (1516-1700), while the minor dignities held by them at different times are too numerous to mention.
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Sigismund
of Luxemburg
Holy
Roman Emperor |
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The
Chapel of the Magi - La Cappella dei
Magi
in
Palazzo Medici |
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Florence
Florence (Italian: Firenze) is the capital city
of the Italian region of Tuscany, Italy, and of
the province of Florence.
From 1865 to 1870 the city was also the capital
of the Kingdom of Italy. Florence lies on
the Arno River and a centre of
medieval European
trade and finance, the city is often considered
the birthplace of the Italian Renaissance
and was long ruled by the Medici family. Florence is
also famous for its magnificent art and
architecture. The city has been called the
Athens of the Middle Ages.
The "Historic Centre of Florence" was declared a
World Heritage Site by the UNESCO in 1982.
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View
of Florence from Michelangelo's square |
Description
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full day
Starting from Santa Maria del Fiore,
Filippo Brunelleschi’s best work
finished between 1420 and 1434, the
primitive project belonged to Arnolfo di Cambio who started the construction in 1296.
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Santa Maria del Fiore |
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Clock
by P. Uccello - Duomo |
We proceed with Piazza della Signoria. It is to
the medieval town planners that we owe the historic
city centre of this city. Palazzo
della Signoria, named also Palazzo Vecchio is
located on a corner of the homonymous square.
Initially it was the seat of Priors of arts (heads
of guilds) then it became temporarily under
Cosimo I of Medici, the place of Medici
governement.
Then we continue to
Ponte Vecchio which represents one of the most
famous bridges in the world and the most ancient
in Florence. We have a proof of
its existence
since the 10th century, but a flood of the Arno
in 1333 destroyed the primitive structure.
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Ponte
Vecchio |
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Palazzo
Pitti |
From
here we continue to Palazzo Pitti, planned by
Filippo Brunelleschi. It is the largest and the most
important palaces in Florence.
Then
Uffizi Museum designed by Vasari for Cosimo I in
1560 which represents a typically 16th century
scenographic conception.
We
will move to Academy Gallery palace founded by
the Grand Duke Peter Leopold well known museum
because it hosts famous sculptures like the
“David” of Michelangelo. This palace was
restored and organise in the last century.
Lunch in a traditional Florentine
“trattoria”
In
the afternoon we will stop in Piazzale
Michelangelo where you can enjoy the most
beautiful panorama of the city.
Finishing the tour about 5:30pm.
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City & Accademia
museum
Meeting
point with the guide in front of the hotel. The
tour is short so you can visit the Accademia and
admire Michelangelo’s David, the best
sculpture ever created.
With
your pre-booked ticket and a guide’s summary
about it you can finally visit Accademia with
its masterpieces and breathtaking works.
This building represents a Renaissance “must”,
full of artistic treasures that your guide has
the pleasure to present to you.
left: David |
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Cuisine - Florentine food grows out of a tradition of
peasant eating rather than rarefied high cooking.
The cooking is tasty together with simple
ingredients and never elaborated, however the
simplicity is more obvious than reality, in every
plate the ingredients are perfectly proportioned
and amalgamated with the maxium care.
The vast majority of dishes are based on meat.
The whole animal was traditionally eaten;
various kinds of tripe, (trippa) and (lampredotto)
were once regularly on the menu and are still
sold at the remaining food carts stationed
throughout the city.
The classical french cooking, that everyone
admires, for most part has its origin from
Florence.
During the Renaissance period, Catherina
dei Medici took along her personal cook to France
introducing the Florentine cuscine to the french
court.
Back in the mid and late 70's when tourist
picked up in Florence, the restaurant owners
complained about their orders being so little,
but to overcome that little matter they introduced a set menu so both sides can be
happy and
satisfied.
Either at home or at a restaurant
antipasti are served for
guests so when ordering you have the
Antipasti - il primo - il secondo - then main
course
with a side dish - dessert and
coffee (some places offer a
digestive, very good to knock down all the food
one has just eaten!)
Usually at a restaurant you order Antipasti
which include crostini toscani; sliced bread
rounds with variety of toppings, mushrooms,
tomatoes, etc., the most
favourite being topped with chicken liver-based pâté,
and then we have affettati;
assortment of sliced meats, mainly prosciutto and salami,
but ask
for finocchiona slices this is
less known amonge the turists but it is
Florentine through and through!
The typically saltless and butter-less Tuscan bread,
pane casalingo,
frequently features in Florentine cooking especially its famous soups, ribollita
and
pappa al pomodoro, both usually served with
local olive oil, served in winter and panzanella that is
served in summer, is made up of firm bread with
freshly cut up tomatoes, cumcumbers, onions and
basil and dressed with olive oil. These dishes can be
part of the antipasti or as il Secondo.
Then come the next dish - Il Primo
which is the pasta of all sorts including rice
and soups.
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Rabbit |
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Florentine beef steak, pork and sausages |
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Spiedini - pork, sausage and pig
liver wrapped up with the organ lining -a favourite during festival time |
The main course consist of a
small variety of stews and a large amount of roast
and grills (pork, quails,
pigeons, boar, rabbit or hare etc) the most famous is the
bistecca alla
fiorentina, a huge steak of Chianina beef,
at least 5cm high, cooked
over hot charcoal and served very rare with its
more recently derived version, the tagliata,
sliced raw beef served on a bed of rucola,
often with slices of Parmesan cheese sprinkled on top.
As
for dessert there is also a wide
variety, the latest and known world wide is the
Tiramisu but
only a few, knows that it had its origin here in Florence.
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San Gimignano
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full day
It’s
possible to visit San Gimignano in one
day enjoying it and without rushing.
You can go there early in the morning
and come back to Florence (or Siena)
late in the afternoon.
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San
Gimignano |
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Frescoes
in Palazzo del Popolo’s courtyard. |
San Gimignano &
Siena:-
full day
Description:-
Pick
you up at your hotel and you will be
drivent hrough the
wonderful country side of Tuscany
to the medival borgo of San Gimignano
where you can enjoy the atmosphere
by strolling through the narrow streets
that takes you back in time.
After
a light lunch we continue our way to
Siena, strolling through historical
palaces, castles,
visiting Campo di Siena and the duomo.
What to see:
San
Gimignano has managed to conserve
fourteen towers of varying height which have
become its international symbol.
There are many churches in the town: the two
main ones are the Collegiata,
formerly a cathedral, and Sant'Agostino,
housing a wide representation of artworks from
some of the main Italian renaissance artists.
The Communal Palace, once seat of
the podestà, is currently home of the Town
Gallery, with works by
Pinturicchio, Benozzo Gozzoli, Filippino Lippi,
Domenico di Michelino, Pier Francesco Fiorentino,
and others. From Dante's Hall
in the palace, access may be made to a
Majesty fresco by Lippo Memmi,
as well as the Torre del Podestà
or Torre Grossa, 1311, which
stands fifty-four meters high.
The heart of the town contains the four squares,
Piazza della Cisterna, Piazza Duomo
where the Collegiata is located,
Piazza Pecori, and Piazza delle Erbe.
The main streets are Via San Matteo and Via San
Giovanni, which cross the city from north to
south.
Culture:
San Gimignano is the birthplace of the poet
Folgore da San Gimignano (1270-1332).
A fictionalised version of San Gimignano is
featured in E.M. Forster's 1905
novel, Where Angels Fear to Tread
as Monteriano.
It is thought that the towers are the
inspiration for the design of the campus
of the University of Essex and of the
residential colleges of Ezra Stiles and Morse at
Yale University.
M. C. Escher's 1923 woodcut, San
Gimignano, depicts the celebrated towers.
Tea with Mussolini, a 1999 drama
about the plight of English and American
expatriate women in Italy during World War II,
was filmed in part at San Gimignano.
In the fictional novel The Broker
by John Grisham, Joel Backman
takes his second of three wives on vacation in
Italy to keep her from divorcing him. They
rented a fourteenth-century monastery near San
Gimignano for a month.
Siena:-
half
day / full day
Museums,
Churches, Abbey and Castles can be
visited, where you find artistic works
of the most famous artists of Siena,
like for example Duccio di Boninsegna
are guarded, Jacopo of the Oak, Nicholas
Pisano, Lorenzetti, Sodoma and many others.
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Siena and the flags of Contrade
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Siena
is a very interesting historic town, it
is famous for the "Palio",
July 2 (Palio
di Provenzano) and August
16 (Palio dell’Assunta), two
annual Palio held in the Tuscan city.
This August
16th’s edition of the most famous historical
horse race is dedicated to the Virgin Mary. It
is a perfect mix of sacred and profane.
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View of the Piazza del Campo |
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Palazzo
Salimbeni, 14th century,
the first bank in the
world - Banca Monte dei
Paschi di Siena |
As
usual Piazza del Campo, large
shell-shaped square dominated by a 300 feet
tower, is set to host this 90-second race, where
jockeys dressed in medieval costume representing
the districts of the city (contrade), ride
bareback on horses, by competing for the Palio.
As usual, there is the magical atmosphere
infusing the city during the Palio days with the
big rivalry among the contrade.
The Siena's Cathedral has it's
beginings around 1200 a.d. We know that the
transport of the black and white marble blocks
was being recorded by 1225.
The color scheme of black and white may derive
from some ancient tradition or from the simple
availability of the stone. Black and white are
also the colors of the Dominican order of
preachers that predominated in the religious
life of Siena.
In 1339 the cathedral underwent a massive
renovation and enlargement, extending a new nave
from the old one, which in turn would have
become the transept. The great Black Plague
that
spread over all of Italy in 1348 reduced the
city to a standstill, both artistically and
financially, returning several times during the
rest of the century.
So
the plans to make the church one of the biggest
in Europe had to be put aside and when work
resumed in 1376 the original nave was kept and
embellished by new architects. Year by year new
additions were raised, and the present gothic
facade was created by Nicola and
Giovanni
Pisano. One can still see the remains of the
huge unfinished nave, reaching out to the right
of the present church.
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Black & white columns holding up
the vaults |
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The decorative ceiling of the
cupola |
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The splendid ceiling of the
Piccolomini Library |
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The baptistry beneath the Duomo |
The interior is one of the most lavish in Italy. The floor inlays are the most amazing marble
work to be seen, covering the entire floor of
the cathedral. The extraordinay marble
pulpit was sculpted by the Pisanos with the help
of the young Arnolfo di Cambio.
Not to be missed is the Piccolomini Library,
inside the church itself with its collection of
hand crafted and decorated choir books lining
the lower walls which were skillfully frescoed
by Pinturicchio.
Unrestored, and keeping their original bright
colours, these amazing series of paintings,
based on the life of Pope Pius II Piccolomini,
might be called the Sistine chapel of Siena.
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Looking down the long nave with the
striped columns |
Top
Pisa:-
full
day
Is much more than the famous
Piazza dei Miracoli
with its tower and the Cathedral with its
Baptistery. Pisa is as well pure
artistic expression with the famous Museum of
Sinopies.
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Piazza dei Miracoli |
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Cathedral's
Pulpit - Giovanni Pisano 1302-11 |
Pisa
is historical witness with its Etruscan origins
and its ancient Roman villages, such as
Vicopisano. Pisa is everything
you may like to see in a city which, apart from
tourism offers as well good cookery and maritime
traditions.
Our
walking tour starts with a visit to the world
famous Field of Miracles with its unrivalled
quartet of medieval masterpieces: Leaning Tower,
Baptistery, Cathedral and the Campo Santo
cemetery. Passing medieval
Tower houses we head for Piazza dei
Cavalieri,
the central civic square of medieval Pisa with
Italy's academic showpiece, the Scuola Normale
Superiore. Following:
a stroll through
Piazza
delle Vettovaglie, the nearby daily market past
the State University where Pisa's most famous
native, Galileo Galilei, taught.
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Museo dell'Opera del Duomo:- Inaugurated
in 1986, the museum displays a vast array of
works of art from the buildings of the Field of
Miracles.
During
our guided tour we get in touch with splendid
examples of Islamic art as the bronze griffon
from the Cathedral and with eminent works of the
major artists of Pisan sculpture, ranging from
Nicola and Giovanni Pisano to Tino di Camaino
and Nino Pisano. The visit of the museum is
complemented by a presentation of etchings
representing the Campo Santo frescoes as they
could be admired before the fatal fire during WW
II. This program is an ideal
completion of a guided tour of the Field of
Miracles.
•Museo
National di San Matteo:- The museum is
one of Italy's main museums of Italian medieval
art. It boasts an exceptional collection of
Tuscan paintings by Giunta Pisano, Simone
Martini, Masaccio, Beato Angelico, Benozzo
Gozzoli, and Ghirlandaio as well as an amazing
collection of Islamic ceramics (10th-13th
century) comprising over six hundred items.
Presenting the major works in their historic,
social and religious context, this guided tour
is designed for a broad public.
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San
Miniato:- half
day
Strategically
located to control important medieval crossways,
the town became the seat of the Imperial
Vicars.
Among the important guests: Federico Barbaresca
and Federico II.
On a leisurely walk we visit the San Domenico
church with interesting frescos and works of
Francesco Curradi, a painter devoted to the
Domenican order. Then we visit the Piazza
della Repubblica with its Palazzo del Vescovo
embellished by Francesco Chimenti.
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San
Minato |
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Portici |
From there we reach the Duomo and finally the
Torre di Federico II from where we enjoy an
amazing view. The tour concludes
with a visit to the Sanctuary of the Santissimo
Crocifisso which houses a wooden crucifix much
adored since the fourteenth century.
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Volterra:-
half
day / full day
The
town of the legendary Etruscans and the
snow-white alabaster.
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Church
near Volterra |
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Roman
theate |
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Etruscan
Arch - Volterra |
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Volterra
- panorama |
We
start our guided tour on top of the medieval
town wall with a view of the untouched Tuscan
landscape. On bright days, you can
even see Corsica from there. In a
5-minute walk, we reach the Arco Etrusco, Etruscan arch,
the
2300-year-old Etruscan gateway, that dates back to the V century
BC, and was part of the Etruscan walls.
It has survived until our day because it was included in the medieval walls built around the XIII
century.
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Palazzo
dei Priori
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Piazza
dei Priori |
Through small
streets and peaceful little squares, we reach
the Roman theatre and the adjacent thermal baths.
The
culmination of our tour is the medieval Piazza
dei Priori, heart of the town, it represents one of the most harmonious and scenic medieval
squares of Tuscany,
flanked by the, Palazzo dei Prior, town hall, and the Duomo
.
Palazzo
dei Prior built in the 13th C, it is one of the most ancient "Palazzo Comunale" of
Tuscany, enriched by elegant two-light windows, numerous coats of arms and maiolicas belonging to Florentine
families. Palazzo dei Priori is surmounted by a nice tower with turrets.
This palace made up of several buidings and modified in the 19th century was origianally the seat of the podestà and the captain of the people. The tower considered to be one of the first towers built in Volterra is traditionally known as the
Tower of the Little Pig for at the top of the tower there is a stone animal poised on a shelf.
In
the Duomo - Romanesque building,12th
C, characterised by a nice portal, big rose window and is richly
decorated, 3 nave interior, several works of art: the
"Deposizione", The Deposition, a notable ligneous sculpture, a marmoreous ciborium by
Mino da Fiesole dating back to 1471 and
"Annunciazione" by Bartolomeo della
Porta. Inside a chapel "Natività"
and "Adorazione" , 2 painted terracottas attributed to
Andrea della Robbia. On the left is the fresco
"Cavalcata dei Magi" by Benozzo Gozzoli,
1479. It preserves also other works by Taddeo di Bartolo, Antonio Vanni, Neri di Bicci, Domenico Ghirlandaio, Luca
Signorelli.
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Cathedral
dedicated to the Assumption Mary |
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Our tour
concludes with a visit of the Baptistery,
octagonal building dating back to 1283, with a very nice Romanesque
portal, situated in front of the Duomo..
Inside are the baptismal font by Sansovino
and the decorated altar by
Mino di Pietro.
A
visit to Volterra can be combine with a tour to
San Gimignano
Volterra is also a city of museums.
Other than the Etruscan Museum there is the
Civic Art Gallery with a fine collection of works from the Sienese and Florentine Schools, among which is the
Deposition from the Cross by Rosso
Fiorentino. The Museum of Sacred Art has an important collection of reliquary, 14th century Sienese sculpture and miniatures.
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Sail journey to the
Afterlife, 2nd Century BC,
Etruscan Museum Volterra
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The
Spouses, urn,
Etruscan Museum Volterra |
The alabaster craft whose history is inseparable from that of the history of the city, represents an other point of great interest.
Browsing around the numerous exhibitions and workshops of the city, visitors will be charmed by the magic atmosphere.
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Part
of a greek vase - Volterra |
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Alabasater
of Volterra |
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Vinci:
half
day
Museum
Leonardo da Vinci
The museum houses the most complete collection
of models of Leonardo da Vinci's inventions.
Each model has been built according to Leonardo's
codices and with materials available in 15th
century Italy. Our guided tour in
the museum encompasses a detailed presentation
of the various models as well as informations
about Leonardo's fascinating life and his
revolutionary scientific approach.
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Museum
Leonardo da Vinci |
The guided tour might be completed by a visit of
Leonardo da Vinci's birth place at Anchiano,
Vinci.
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Lucca:
half
day / full day
Lucca
has
made a virtue of the necessity to stay in the
political shadow of his three mighty competitors
Pisa, Florence and Siena. Instead of striving
for unlikely military success, the small town
has always looked at economic success.
Even today, it boasts a general wellbeing hardly
matched by any other Tuscan town.
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San
Frediano |
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We
start our guided tour where the residents of
Lucca spend their free time: on the city wall
topped by a line of shady trees. Our first
stop is San Frediano church with its magnificent
thirteenth-century mosaic representing Christ in
Majesty and an amazing facade.
Next,
we visit nearby Piazza del Anfiteatro, the most
beautiful square of Lucca. Passing by the
elegant shops of Via Fillungo and through small,
typically medieval streets we reach the Duomo
which houses the famous Volto Santo and a
splendid marble sarcophagi, a masterpiece of
Jacopo della Quercia. Passing Piazza
Napoleone with its distinctive French outlook,
we finally arrive at piazza San Michele, the
central civic square of Lucca since Roman times.
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Palazzo
Busdraghi -via Fillungo |
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Musical Tour:- full
day a tour including the Puccini-Villa at Torre
del Lago.
A
tour of the native town of famous composer
Giacomo Puccini and other well-known
musicians. Long before Puccini, important personalities of
Italian music had lived in Lucca.
The most
eminent builder of organs in the Renaissance,
Domenico di Lorenzo, worked here in the romanic
churches of the town. Niccolò Paganini beguiled
with his violin virtuosity the people of Lucca.
Lucca is also native town of Luigi Boccherini
and of Alfredo Catalani, one of Puccini's
contemporary. Discover with us the musical part
of this charming Tuscan town!
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Massaciuccoli
lake - Giacomo Puccini |
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We recommend complementing this musical walking
tour by a visit of Puccini's native home or by a
tour of his beautiful Villa in Torre del
Lago,
where Puccini composed Manon Lescaut,
La
Boehème, Tosca, Madame Butterfly and other
important operas. Every year in July and August,
Torre del Lago houses a Puccini festival during
which the master's famous works are presented at
an open air theater.
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Giacomo
Puccini - statue |
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Puccini's
Villa - museum |
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The Maremma
The area known as the Maremma
begins south of Livorno and form a coastal plain
running to the very southern end of Tuscany.
Famous for cowboys (the
butteri), Etruscans,
naturally heated springs, this is a different
and relatively undiscovered Tuscany, with
several large nature reserves, well-kept hill
towns and countless Roman and Etruscan
ruins.
You will stop
by: Talamone: This is a small town,
dominated by the massive Sienese fortress (seat
of the Museum of the Natural Park of Maremma)
and surrounded by walls, stands on the
promontory in front of the sea.
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Talamone
- The fortress is in scenic
position perching on the edge of
the ragged coast. |
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Porto
San Stefano: The town
is built on a terraced ground and is dominated
by an impressive fortress, and Porto
Ercole:
Hercules is believed to be the founder of this
beautiful resort over Tyrrhenian Sea, dominated
by a fortress and by the pure shapes of Forte
Stella.
Orbetello: It is located in the
middle of the lagoon, between the Tombolo di
Giannella and the Tombolo di
Feniglia.
Its most
noteworthy monuments are the Ximenes Fortress
and the gothic Cathedral that was built on the
ruins of the heathen temple.
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