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Abruzzo
is breathtaking.
High snowy mountain peaks and beautiful blue sea with sandy beaches. The
region's coastal areas enjoy a mild climate and the mountainous inland area is snow-covered much of
the winter and very hot in the summer.
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Gran
Sasso - Corno Grande |
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Pescara
beach |
Due to this hot and cold climate the geographical contrast shares
two distinct cuisines: coastal and mountain.
Although both are southern in style, coastal cuisine consists mostly of
fish and mountain cuisine of pork, lamb and Porchetta (suckling pig) which is a specialty in the mountainous areas of
Abruzzo, as is its prosciutto named Aquila.
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di bufala |
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Porchetta |
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Maccheroni
alla chitarra |
As is characteristic of southern Italian cuisine, pasta is customary here.
Abruzzo's culinary contribution to pasta was the invention of the chitarra, a guitar-like device made of wood and wire that makes thick,
square-cut pasta. Because of the area's fine wheat and pure water, some of Italy's best commercial
pasta is made in Abruzzo. Pecorino cheese is another of the region's favorite foods, as is the
buffalo milk cheese spiced with chili pepper known as
caciocavallo. The gutsy Montepulciano d'Abruzzo (made from
the Montepulciano grape) is one of Abruzzo's most popular export wines, and affordable.
A
bit of history
Until 1963, Abruzzo and neighbouring Molise to the south formed one region called ‘Abruzzi’ and you’ll still hear this name used today.
During Napoleonic times the region was split into the provinces of Abruzzo Ulteriore I (now
Teramo), Abruzzo Ulteriore II (now L’Aquila ) and Abruzzo Citeriore (Chieti).
The first inhabitants we know of in what is now Abruzzo were the
Picenians.
One of the Italic tribes which inhabited the Italian peninsula in pre-Christian times (others included the
Equians, Vestinians, Praetutians and
Marsians), they were unceremoniously crushed by the military might of Rome in 90BC.
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Gabriele
d'Annuzio |
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Roman historian
Sallust was born in the region around 86BC and the poet
Ovid in 43BC. Other famous sons include St Bernadino of
Siena, who died in the Abruzzo mountains in 1441. The father of the English pre-Raphaelite painter
Dante Gabriel Rossetti was an Abruzzi, as was Gabriele
D’Annunzio, the poet and military hero of the Italian Risorgimento.
It was here that Pope Gregory XII, fleeing from Cividale, landed on Neapolitan territory (1409), and went
thence to Gaeta. After the end of the Italian Wars, the new Spanish rule and the shift of commerce due to
the discovery of America, impoverished Lanciano, which, in 1640, became a baronial possession.
Later, the city took the part of the
Neapolitan Republic of 1799 and rose against the Bourbon kings
in 1848, 1849 and 1853. In 1860 it voted for annexation to the newly formed Kingdom of
Italy.
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During World War II it was an active center of the
Resistance against the German occupation. In 1952 it
was awarded the Gold Medal to Military Valour by President Luigi
Einaudi.
Castles of Abruzzo – Castles are one of the main elements of the regional organization and of the feudal and Renaissance society.
In Abruzzo we can see various types of fortified castles and towers, situated inside urban centres or in strategic positions to defend and guard the region. From the Rocca Calascio fortress, which has a square plan with 4 circular towers, to the Celano castle, which has a rectangular shape and a wide inner court, Abruzzo offers its treasures of military and town planning art to anyone who wants to visit the interior and discover the richness of this region.
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L’Aquila
is the most important city of Abruzzo,
has an archbishopry and is renowned for its University, National Museum of the Abruzzi and the ancient
Salvatore Tommasi library and thanks to its historical roots and its monuments still contained within the medieval
walls. The typical chess-boarded structure, with strong differences in height and few level roads, confers the city a picturesque look, enriched with unexpected marvellous panoramic views on the surrounding mountains.
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The castle houses the
National Museum of Abruzzo |
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Painting
of the 12th C |
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Elephas Meridionalis |
Together with the
National Museum of Abruzzo L’Aquila * has also the
famous and renowned
“Teatro Stabile”, the Academy of Fine Arts and the
“Società Aquilana dei Concerti”, which gives significant concert seasons at the Auditorium in the Spanish Fort.
*
The National Museum of Abruzzo, The museum is housed in a 16th-century Hispanic
fortress. It contains an archaeology section with prehistoric finds belonging to the Italic
peoples, epigraphic and architectural fragments from the Roman towns in Abruzzo; a
palaeontologic section that keeps a large skeleton of
Elephas Meridionalis found in 1954 near Aquila; a religious art section
(paintings and sculptures from the12th century onwards); one devoted to coins and another devoted to contemporary art
(works by R. Guttuso, V. Guidi, O. Tamburi and R. Brindisi). Of special
note: an important groups of 13th- and 14th-century wooden sculptures and polychrome terra-cottas and some 14th- to 17th-century Flemish
paintings.
As well as the landscapes,
L’Aquila boasts noble cultural traditions too, nourished by
theatre, music and art events.
Formerly a center for handicraft and agriculture, L'Aquila has nowadays become primarily an
administrative center for its large province and partly for the region (regional bodies are divided between L'Aquila and Pescara).
The economy of the town is characterized by chemical, mechanical
and farming industries, the production of wine, cereals, saffron
and dairy products, traditional delicatessen and
craftswork; the nearby mountains also offer facilities for
winter sports and excursions.
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Collemaggio
- main entrance |
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Assunzione and Incoronazione
della
Vergine |
There are several churches and monuments of historic and artistic value, the heritage of its rich medieval past, such as the
Fountain of the Ninety-Nine Spouts, almost a symbol of the city, the massive 16th-century
Spanish castle, which crowns the city's highest point, the
Basilica of St. Bernardine, the greatest Renaissance church in
Abruzzo, and the Church of Saint Mary in Collemaggio, the most outstanding example of Abruzzi romanesque architecture, where
Peter from Morrone was crowned Pope in 1294, leaving to the city the unvaluable gift of the perdonanza, celebrated every 28th August since that time.
The church's interior was returned to its medieval appearance after restoration work in the '70 that removed the Baroque decorations.
Visible now are various frescos from the XV and XVI centuries, among which the important
"Assunzione and Incoronazione della Vergine" (above).
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Aquila
storical
center |
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Fountain
of 99 spouts |
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Atri
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lies about ten kilometres from the Adriatic coast between
Teramo and Pescara.
The city was one of the principal Greek harbours on the Adriatic sea.
It was later a
Roman colony (Hatria, from where the name of the Adriatic sea) and was the origin of a Rome emperor (Elio Adriano 117-138 AD).
After a Lombard and Norman period it was bought in 1393 by the
Acquaviva family, under whom the city experienced a boom
period.
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One of the vicoli
of Art |
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Cathedral of Santa Maria Assunta |
Atri
The most important monuments in modern Atri include the late
XII century
Duomo - the Cathedral of Santa Maria Assunta, which was built on the remains of an earlier Romanesque church, and the
Palazzo Ducale, the palace of the Acquaviva's which is built on the highest point of
the town, now the seat of the municipality; the Medieval walls with Porta Macelli and Porta S.Domenico; Museo Capitolare.
The Cathedral incorporates an impressive 56 meter high campanile, or bell tower, and a very handsome
cloister.
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Inside is a very impressive frescoe cycle by the 15th century Abruzzi painter
Andrea de Litio (or Delitio) the greatest Abruzzese painter: he painted frescoes in many parts of Abruzzo, and some of his paintings are in museums as far as
Baltimore and New York. His acknowledged masterpiece is the fresco cycle in the
Cathedral of Atri. Mass available at the Cathedral.
The
Diocesian museum is also located in the Cathedral. The
crypt of the cathedral of the modern town was originally a large Roman cistern; another forms the foundation of the ducal palace; and in the eastern portion of the town there is a complicated system of
underground passages for collecting and
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Vaut
frescos - Santa Maria Assunta
Andrea
de Litio |
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storing water. |
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| Cathedral
of Santa Maria Assunta |
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Roman
cloister of Santa Maria Assunta |
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Chieti
lies on a crest along the Pescara river with its unmistakable profile with the high
bell tower of San
Giustino against the sky, a few km away from the Adriatic Sea, and with the
Majella and Gran Sasso in
the background.
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Bell
tower of San Giustino |
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It was a Roman town,
Teate, and and important medieval centre, that's why walking
through the city you see Roman and medieval ruins side by side.
Of special importance is also the Pinacoteca C. Barbella, hosting works of Abruzzese artists, as well as the Museo Archeologico Nazionale, the richest archeological museum in the region, with, among other, unique works as the
Capestrano Warrior, a statue of the 7th century BC, one of the symbols of the region, a wonderful Hercules statue and one of the very few Galba gold coins in the world.
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left:
Capestrano Warrior center:
detali of Capestrano Warrior
right: one of the paintings in the Pinacoteca C. Barbella
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Sights & Excursions
Cattedrale di S. Giustino, with a fine marble altar, paintings, frescoes, precious wooden furniture and the wonderful
bell tower. The general lines of this church, originally dedicated to St Thomas
Apostle, retain the layout defined in the 9th century, after the extensions to the building by Bishop Teodorico (840 AD). The façade and the great
portal, reached by an ample staircase, are modern additions echoing the original 14th century style of the outer walls and Pugliese
architecture. The elegant bell tower, decorated by central, double mullioned ogival biforium windows, is the work of Bartolomeo di Giacomo (1335), whilst the bell chamber is the work of Antonio da Lodi (1498).
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San
Giustino |
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Cupola
of San Giustino |
Chiesa di S. Francesco, with an original XII-century rosewindow and inside paintings by
Giovanni Battista Spinelli and Ettore Graziani
Chiesa di S. Domenico (XVII century)
Chiesa di S. Chiara
Chiesa di S. Giovanni Battista, with Venetian paintings of the XVII century
Chiesa di S. Gaetano, with stucco decorations by Giambattista Gianni
Pinacoteca C. Barbella
Museo Archeologico Nazionale
Parco Nazionale della Maiella
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Lanciano
- Chieti
Main sights
Cathedral of Santa Maria del Ponte ("St. Mary of the Bridge"),
built in the 9th century, on the arches of the Diocleziano
bridge , on the exact spot where a miraculous statue of the Mother of Our Lord was
found. It was so called because it is built on bridgework
along a precipice: is the work of Michitelli (1619) and has some paintings by Pozzulaniello (Giacinto
Diana). It houses also an 8th century Byzantine statue portraying the Madonna, probably brought here
during the iconoclast controversy.
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| St. Mary of the
Bridge
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cathedral |
Originally a votive
chapel, the church was declared a cathedral in 1576, and over the centuries it
expanded, reaching its current proportions during modifications in the last
century. The neo-classical lines of the façade are flanked by the bell
tower, facing Piazza Plebiscito.
The interior, a single nave cadenced by
columns, ends in a raised presbytery with a dome roof, below which stands the venerated effigy of
Santa Maria del Ponte (Holy Mary of the Bridge), solemnly
celebrated on September 8 each year.
The chapel of the Sacrament is set into the right hand
wall; other, richly stuccoed, altars and paintings are ordered along the side
extensions. The frescoes on the vaults are by Giacinto Diano (17th
century).
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Cathedral's
internal |
Santa Maria
Maggiore, one of the most important architectural sites in Abruzzo. Built in 1227 according to
Bourgogne-Cistercian lines, it was updated in 1540 in Baroque style, with the addition of two aisles and
stucco decorations (recently stripped off). The main gate is from 1317.
San Francesco
(1258), built over a pre-existing 7th century church. The high altar houses the relics of the
Eucharistic Miracle.
Sant'Agostino (1270). The façade has maintained the original rose window and the gate, while the single
nave interior is a Baroque restoration.
Torri
Montanare, a relic of the ancient walls (11th century). They consist in two massive towers, the most
recent dating to the 15th century, offering a panoramic view of the area.
Porta San Biagio (11th century), the only one gate remaining of the nine once existing.
The Fountain of Civitanova.
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Torri
Monatanare
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The
Fountain of Civitanova |
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Guardiagrele
- (Chieti)
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"Presentosa"
pendant
in gold filagree
late
19th century |
Guardiagrele is a beautiful little town famous for its
copper and wrought iron work that you find displayed in tiny shops around the old town wall.
Hometown of
Nicola da Guardiagrele, unsurpassed master of abruzzo
jeweller's art, and "capital" of copper
and wrought-iron crafts, this centre has also become universally famous as the "noble stone city" in
D'Annunzio poem "Trionfo della morte".
When you first arrive, you're welcomed by the sight of the Majella on the horizon, and the hills and calanques around.
Inside the town, wherever you look, traces of a rich past appear from walls and common houses.
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| Guardiagrele |
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Guardiagrele
- medieval art |
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Sulmona
- Aquila
Founded before Rome,
Sulmona
is rich in history. Sulmona is the birthplace of
Ovid, the Roman Poet known as the father of the Latin language.
Located just 90 minutes from Rome, Sulmona has a storied architectural history and is known for its medieval
acqueduct which divides the city.
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Piazza
Garibaldi |
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Acqueduct
Svevo - 1256 |
The city has an abundance of quaint little shops where you can purchase fine leather, jewelry and regional crafts.
It has an array of cafes, restaurants and trattorias that specialize in the rich regional cucina d'Abruzzo.
Sulmona is also known for its confetti, the sugar coated almonds known
worldwide.
Easter week in Sulmona is a deeply moving religious experience.
Holy week begins on Palm Sunday and culminates on Easter Sunday with the extraordinary
"Madonna che Scappa in Piazza" event, a wonderful opportunity to combine a couple of beautiful days walking with experiencing at first hand ancient Italian traditions.
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Madonna
scappa in piazza |
The Giostra Cavalleresca di Sulmona
divides the neighborhoods of the old city into seven "borghi". The residence is officially in the
"Borgo Santa Maria della Tomba".
Every year during the last week of July, the citizens of Sulmona re-enact a classic Renaissance joust complete with period costumes, food, music, and of course, the actual competition.
Cheer on the "cavallieri" as you marvel at the events from the comfort of the balcony.
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Flag
display |
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A
knight |
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Scanno
- Aquila
Throughout the historical centre small alleys, balconies, flights of stairs are an astonishing maze for visitors to this picturesque village.
Scanno is famed for the gold filigree and the renowned Abruzzese jewel worn by ladies of Scanno.
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Women
in costume |
See the women's beautiful
costumes, still worn today by many of the local elderly women.
Take time to relax along the shoreline of the beautiful lake, just outside the village.
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Scanno |
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Bird-eye
view of Scanno and lake |
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Lago
di Scanno and the Church of the Madonna del Lago |
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Deservedly famous re also the lacework
(tombolo) and crotchet work
(blankets and tablecloths), as well as the little, hand-made dolls reproducing the female costume decorated in silver and gold threads to the smallest
detail. Other glories of Scanno are the precious filigree creations
(crosses, relic holders, jewels) and the traditional "mostaccioli"
pastries, made with chocolate, almonds and cooked "mosto" (wine before fermentation is
completed).
The beautiful
Museo della Lana (near the Townhall) is a folk museum reconstructing the identity of the town of Scanno and the Valley of the Sagittario river through the
tools, the images, the home furniture, the wool working,
cheese-making, leatherwork of the people of the area.
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Working
on the tombolo |
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Laces
and embroidery work
- tombolo |
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Teramo
is situated near the confluence of the
Vezzole torrent with the Tordino River (that's why the Latin
name of Interamnia, between rivers), and is a very old city, founded in pre-Roman time, though the
general aspect is more recent, due to many XIX-XX century buildings.
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| Roman
statue |
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Roman
theater |
For a long time it was a border place between the Kingdom of the Two Sicilies
and the Church State, it acquired a really special
identity and, because of the difficult communications with the other parts of the country, it stayed isolated
for long periods of time. The Gran Sasso tunnel recently allowed Teramo to get out of its isolation.
Founded by the population of Prepuzi. An important Municipium in Roman times, it rapidly declined after the fall of the Empire and,
following Goth and Byzantine domination, became part of the territories of the
Lombard Duchy of Spoleto. In 1156 it was put on fire by Norman Count Roberto di Loretello and then rebuilt thanks to
Bishop Guido II. In the XIV and XV centuries it was plagued by feuds between local families which finally
ended under the Aragonese dominion. It was united with Italy in
1860. After that it shared the fortunes of the Kingdom of
Naples.
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| San
Berardo Cathdral |
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Storical
center |
Two
great monuments, not far away from each other, are almost the symbols of the town and its history: the
majestic Cathedral, built in 1158 by Guido
II, and the Roman theatre, built about 30 B.C., where still today
sports and cultural events take place.
The
summer calendar of events is very rich with for example the
Teramo Literary Prize and the Interamnia Handball
Cup, an international event with athletes coming from all over the world.
The economy of the town is mostly based on activities connected with
agriculture and commerce, as well as a sound industrial sector:
textiles, foods, engineering, building materials and
ceramics.
Sights & Excursions
• Cathedral (12th-14th century) with inside a frontal by
Nicola da Guardiagrele and 15th century polyptych.
• Remains of the Roman Amphitheatre and theatre
(3rd-9th century), which could accomodate over three thousand people.
• Church of San Getulio, built in the early Middle Ages on the ruins of a Roman temple, finally destroyed in
1155 by the Normans; today only the presbyterium and some Romanesque elements can steill be seen
of the old Pretorotecture.
• Church of Sant'Antonio (13th century), previously San Francesco, with its fine Romanesque portal
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| Church
of Sant'Antonio |
• Church of Madonna delle Grazie (dating back to the 11th century)
• Church of San Domenico (14th century) with a fine Virgin with Child, probably by Gagliardelli
• Archeological Museum with surrounding park
• Chiesa di S. Agostino
• Chiesa di S. Spirito
• Chiesa di S. Benedetto, with fine paintings of the XVI-XVIII centuries
• Casa Melatino
• Palazzo Delfico
• Chiesa della Madonna delle Grazie with a remarkable sculpture of the Virgin with child, probably by
Silvestro dell'Aquila
Festivities
Late June: Feast of Madonna delle Grazie
Late July: "I Trionfi", a historical re-enactment with people in costume and allegorical waggons
Late July: Sagra of ham, cheese and "casereccio" bread
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Castelli
- Teramo
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Castelli -
Teramo |
With its view of the Paretone (Great Wall) of the Big Horn, Castelli is situated at the foot of the northern face of Monte Camicia. In spite of its wild mountain scenery, this centre is situated at a moderate height, and is surrounded by an agricultural countryside dotted with farmhouses.
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Castelli -
Teramo |
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Historical
center of Castelli - Teramo |
It was the presence of the erosion furrows and the clay, together with the water to knead it, and the wood to keep the kilns burning, that first attracted a community of Benedictine monks from San Vincenzo al Volturno to Castelli in the early middle ages.
The monks founded the abbey of S.Salvatore, and started to produce the pottery that was to make Castelli famous all over Italy.
The most prolific period of production of this refined, artistic pottery, which was well know in all the courts of Europe, was from the 15th to the 16th centuries.
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| Plate
in majolica |
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Jug
in majolica |
The school of Grue, Fuina, Gentili and Cappelletti produced plates, jugs, tiles and other objects of outstanding beauty.
In the former Franciscan convent, the Pottery Museum allows you to get an idea of the history of this form of art.
The nearby church of S. Donato offers a rare example of a more popular version of ceramic art, with its tiled ceiling.
The Museum and S. Donato are not, however, the only items of interest at Castelli.
Do not miss a visit to the workshop, where artistic ceramics are still today produced.
These are only a few of the places to explore and sights to discover.
The rest we leave to you because that is half the fun of visiting Abruzzo and Pratola - being the adventurer and discoverer yourself!!
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